if we add a new label to electronic music, is it really needed, wasnt music originally unlabeled? - lads contemporary productions could be called anticipated techno, architect techno, or architechno. these two tracks are simply brilliant and beyond what i have heard to date. the way lad is building space procures the feeling to be part of the music, to be in it, swallowed by it. >isolate< and >bergvall< are just two hypnotizing masterpieces, transporting you into unknown and untamed territories. deep, soulful, cinematographic, intriguing, moving. my drug is music. from 2d to real 3d chills. vanina hänin woods, forests, deep and dark spaces, like if kubrick, kurosawa and marinetti would have gathered together to produce music, simply highly cinematographic and futuristic. lad builds up organic visions, redefying sound in such a personal way. definitively two superb, soulful, finely shaped and constructed electronic pieces which will undoubtedly make you dance the night away. (dan lagardere)

it really is a great pleasure for exclusive to welcome back jef ks wonderful silver network label with their latest single from, valentin feat. the morvans. valentins electronic musical heritage stretches back to the early days of rave. as a wide eyed and open minded 18 year old he became hooked and soon immersed himself in the ever evolving culture. in the early 90s he worked for bpm, the very first underground parisian record store and it was here that he built a vast knowledge of the exciting us labels and producers. by the end of the 90s valentin was a regular on the dj and after-hours circuit, but as the rapidly developing >french touch movement< began to make its mark, it was time to find new inspiration

if you will permit me to get a little honors english on yall, classical scholar sir richard livingstone once stated that >our danger is not too few, but too many options ... to be puzzled by innumerable alternatives.< say what? well, take flo ridas predicament on new david guetta single where dem girls at: upon stepping into the club, so many fly females catch his eye simultaneously that he finds himself incapable of deciding where to begin. as hes struggling to resolve this deadlock over the veteran djs stark synths and four-on-the-floor percussion, an especially alluring specimen swoops in to make the decision for him - not only is she gonna kick it with him, but shell bring her equally fly friends along for the ride. playing the woman in question, young money heavy-hitter nicki minaj attacks the beat as only she can, dropping what may well be her most off-the-wall guest 16 since monster. so, readers, this dancefloor-scorcher + remixes on this vinyl will whet your appetite for more body-moving bangers, no doubt about that

jeremy glenns >new life ep< is filled will sun-drenched euphoria, it comes bearing soul, embraces jeremys natural pop sensibilities and celebrates the underground scene thats shaped him as a dj. the title track takes us down to the beach with its 90s pads and thumping bass line to hang out with mitch buchanan, >found a love< reminds us of a rare vintage cut that the revenge or jacques renault dig up (check that acid line!) while >overtime oozes of prince. alex barck of jazzanova also rolled out a cheeky feel good remix of new life. its sure to make you grab a partner, throw them into a twirl or two and play an air bass guitar. already jeremy glenn has shared the decks with james murphy, tensnake and andy butler as well as performing live alongside dam-funk, aeroplane, and alexander robotnick. check the video by dakota of >new life< and take in all 80s boobs, 90s muscle, yachts and tiger fades

set time-dials to 2011 and engage. here we have two slick, italian producers bottin and rodion, they both may have (professionally) lost their first name, but they sure both make up for that with their italian style and extra analog-burbleness. their original vocoder nugget and dub both feature on the vinyl. for remix action we teleport over to argentina where toomy disco (a pretty spacey name already) delivers us some remix action. slick grooves, flowing bass guitar and more shine than a sparkly new saturn 5.
unless an intergalactic born space-plague fuses our brains back to reality, expect more cosmic lunacy in 2012. get your submissions in now producers.

nice price deal !!! genetix are back with an ep that will rattle your chest with bass and make your head explode. i can confirm, this has happened too many of my friends and has got me in a great deal of trouble. >beast mode<, my pick of the lot, is a collaboration with persist and is an absolute assault of disgusting basslines, switches and filthy beats produced at the highest end. then >termination< and >stealth< offer up more terrifying, futurist and hard edged dubstep that is certainly not for anyone with a heart condition. strictly dance floor bizzle!

in january 2011 mark was invited by erik wiegand (aka errorsmith) to make some presets for his new software synthesizer which he was building for native instruments. after developing about 40 sounds*, mark decided to rework his ul8 project by extending the pattern generating systems used in its construction, which he then connected to the sounds produced in erik s synthesizer. the result is this double 12 single, featuring 9 tracks and a remix from mark s friend and colleague mat steel.

before the renaissance of vocals in club music starts to get out of hand, a few blueprints are being drawn up: standards that the brilliance of future vocal track producers can be measured against. the greek producer mr. statik, has put together three such tracks for his first bpitch control release. three emotional tracks which really make you want to get dressed up each time you listen in order to properly revel in their sophistication.

last year put leeds-based producer midlands (aka harry agius) name on the map with his successful collaboration with hessle audios ramadanman, >your words matter< on aus music. this year, aus label chief will saul has invited midland back to take a solo swing. its an excursion that explores the boundaries of 2-step, uk garage and techno and consists of two original tracks. on the a side >through motion< shows midlands ability to seamlessly take the spirit of uk garage and fuse it with techno. the tracks moody piano melody is punctured by a dark, pitch-shifted vocal and encircled by the warm atmospherics that have become his trademark. on the flip side is >shelter<, a brooding and cavernous affair whose vocals and whispery atmospherics make this the perfect late night tool.

m.a.n.d.y. and matthew dear lit up new york city in 2010, with their buddies club night, and - as m.a.n.d.e.a.r. - with their own urban dancefloor myth, the unreleased track >buddies<. the cut fused deep hypnotism with dancefloor abandon, swirling sheen hints of disco and an infectious sing-along hook. by keeping it close to their chests for months on end, m.a.n.d.e.a.r. drove anticipation into fever pitch, and >buddies< finally burst out of the gate in october as the opener of thomas schumachers 8 years get physical music compilation. now, >buddies< is fully realized with reworks from some of the best in the business - m.a.n.d.y., radio slave, smash tv and siopis. philipp jung and patrick bodmer make >buddies< over into a sleek late night beast with their m.a.n.d.y. remix

benoit & sergio dont make dance tracks—they tell stories. in the washington dc duos music, a sense of place and narrative infuse their rhythms and melodies, transcending having flexed their synth-pop muscles on releases for dfa (the acclaimed boy trouble ep) and visionquest (the lovelorn where the freaks have no name ep), dc duo benoit & sergio return to spectral sound for a victory lap around the dancefloor. and >let me count the ways< is just that, sounding every bit the perfect, hands-in-the-air final anthem of the evening. tireless hi-hats push the beat onward and dreamy synthesized strings saturate the stereo space as sergio intones, >let me count the ways / the ways that ive loved.< as the line repeats, its meaning bends to fit the songs tone of endless, time-suspended romance: its not the loves that matter in the end, but the ways. its not the destination, but the journey. the b-sides >let me count the ways (autumn version)<is a vastly different take on the original?s maximalist swell. stripping the beat back to its bare essentials and building them up again over nearly 12 minutes, the >autumn version< recalls arthur russell?s more minimal moments down to its wobbly bass filigree and mumbled vocal samples. by the end of the track, the claps are falling on the twos and fours like crinkly foliage, synths are sizzling like firewood, and benoit & sergio?s newest banger is revealed in its full glory once again.

we are presenting the original theme track for beautiful granville records in its original arrangement as a collectors piece. the track itself is to represent the essence of the beautiful place that is called downtown granville, from its moody energy to the mode and pace of the people who make up this small neck of the woods in chicago. as the track is titled beautiful granville, it is the original recording that sprung to mind and the very track that started the record labels name, mood and energy. limited collectors item on clear blue vinyl, same track on both sides!

truncate aka david flores delivers 3 dark techno cuts for this 16th enemy records release. remix comes from jerome sydenham. pure no-nonsense techno, made to make you sweat.

intecs jon rundell joins the rekluse stable with some fine tribal infused dance-floor madness.
ep supported by: richie hawtin, adam beyer, loco dice, umek, marco bailey, stephan bodzin, slam, gary beck, uto karem, spektre, pan-pot, joseph capriati, kaiserdisco, wehbba, tom findlay (groove armada), sharam, karotte, sian, danny tenaglia, stacey pullen, hernan cattaneo & many, many more!

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

pole records presents reekos new release. the veteran spanish techno activist brings us three tracks that look at techno from three different perspectives. cyberpunk opens the release: ebm flavoured bass, compact beats, dreamy strings and sharp percussions that make this number a direct floor workout. dystopic futures has a funkier approach, with a shaker driven percussion programming, shuffled synth lines and crazy arpeggiated high-pitched frequencies. empirical science is a futuristic techno track whose analog synths grow and evolve as the track flows, seasoned with white noise drones and a constantly evolving structure. three tracks of intelligent and hard techno for your body and soul.

incarnations are back with an overwhelming 12 inch, just in time for the summer. remix action comes from ilya santana and his trademark spacediscopop, wareika bringing the deepness and rayko offering a shot of synth-driven discoid eighties. >meet me at midnight< is an exquisite hand-crafted pop piece, where you can clearly hear echoes of america (the band, not the continent), among many other things. it has summer written all over it and allow us to say that is the kind of song that makes you a better person.
ilya santana takes the original and drives it deep into space, without losing its amazing pop feel. wareika take over >make you mine< and bring it deeper than deep, close to maurizio, in a superb remix. and last but not least, madrids own edit maestro rayko shows us his powerful approach to the song getting the most out of his synth collection!

unos second release comes from montreals jacques greene. in his north american debut, we bring you two new tracks that reveal a darker, acid housed side of the lauded producer. lay it down unites bass swing with a floor shaking acid line thats known to make rooms dance like autism. new york house standards whatever/whatever give the flip side a jacking make over of 90s proportions. the hard hitting >what are you feelin< (which has been received much uk in the past year, including mary ann hobbs bbc show) finishes off the 12 inch, builds up the grand finale, after which you might find yourself in a puddle of something wet, wondering where greene went.

the underground electro series by city beat records continues with a mindblowing vol. ii, featuring 18 artists from 10 different nations around the globe that make it the ultimate, new electro funk and rap compilation of the year 2011. as volume 1, this double album is strictly limited to 300 copies and no repress! tracks by artists such as arabian prince, t la rock, dj salva 808, debonaire, planet patrol iii, jock d, freak force crew.

steady rocking it with music to make you smile, that is a suitable description of wunderbars next new guest, oliver schories. with a string of big releases on labels including parquet, ostwind and musik gewinnt freunde, he is stopping by to >catch a breath<. the original will unfreeze your minds and hearts with his sun-warmed and soulful trademark. the ep is filled with a solid remix pack of surprises, started with a folklorish bonfire-romantic from zusammenklang by switching the theme in ambient. finally we are equally excited to welcome eadward to our label family with a housey retouch of the title track, which will likely be heard in clubs. the wunderbar imprint thinks outside the box when it comes to dealing out the house goods.

breakin bread continue to support the specialist soul and funk scene with a release from edenheight. they are not a new band, these guys have been gigging hard all over bristol and the south west, but it is their debut vinyl release. its not just another new funk offering, the band have a tightness from all the gigs and 2 superb female vocalists that make these tracks stand out from the pack.
edenheight are a deep-groovin and original outfit with a soulful urban sound. forged in bristol, their list of influences favour more percussive styles including afro, funk, hip hop + dub, and as such dance-ability is a precedent. this standard owes as much to an evolution in the citys underground live scene as to their appreciation of high energy musicianship and production.

another month, another cool and unique r&b sound from the jukebox jam series! this time around, we feature 40s songstress with a really superb low-slung and slinky number. making its first appearance on 45rpm vinyl, >shrinking up fast< is bound to set pulses raising with its hot and seductive jazzy feel, mambo rhythm and wailing horns. yet another record which sounds not so much ahead of its time as occupying another realm altogether! the flip side >please dont stay away so long< is a worthy effort in its own right - a breezy jump blues side which also rotates around a loosely latin influenced rhythm. but as good as it is, >shrinking up fast< is the clear winner for us, an awesome, slow-burning scorcher which we are proud to be able to finally make available on dj friendly 45rpm - its going straight in out box and we would urge you to follow suit!

the long awaited new single taken from aeroplanes debut album >we cant fly<. >my enemy< is definitely the most dancefloor orientated track on there, but nevertheless we included a blinder of a remix package for you!
up first is rex the dog (kitsune, kompakt), who makes >my enemy< even more epic, or should we say arpeggiotic?! the legendary green velvet (cajual, relief, music man) on the other hand turns it into an unmatched rolling monster for the dancefloor. if thats the enemy, we wanna make it up!

nice price deal !!! lipservice are proud to welcome a new addition to their label roster. out of city are a tuscan based trio and are no strangers to the scene. having already worked with labels like eskimo and dc recordings they make a melting pot of sounds with their fingers and thumbs!
in dino storai, simone fedi and nicola lopetuso we find a band that seem to effortlessly combine synth music with disco, rock and punk, and their forthcoming lp for lipservice is a real joy to listen to from start to finish.

so it was a massive pleasure that maya chose 2020vision for her next full single release. when we discussed the project with her we agreed it was vital to put together a single that truly reflected her diverse tastes and skills. the title track >focus now< is a unique work that will be hard to even categorise. reminiscent of early matthew jonson records >focus now< features delicate synth sequences weaving in and out of intricate rhythms. it sounds amazing on big systems, like at fabric, where it was road tested by ralph lawson at the recent 2020vision party. it is one to drop at the right time to make a real change in mood and set direction. we then have >little one< which is a solid deep house groove, simple but effective. vocal snippets are added by mjc herself on both tracks but her true vocal talents are shown on >senseless<...

independent music maker, co-founder with his team-mate teru of bcr-music, indie structure for artists, in 2009. well known since 1996 as dj/ composer/remixer/director for many french artists, he reveals during the 2009/2010 season his talent of vocalist: first, on debut bcr-music release, pumpkins 12 inches ainsi de suite, hereafter on his own vinyl singles and lp, respectively supafuh yo! and 10 ans trop tard. the 2010/2011 season will be the decisive one... the 12 inches just act will be internationally released in april 2011 featuring cl smooth & eternia! cl smooth, one the most respected and legendary mcs of all time, comes back on wax through a duo with supafuh, nowadays the unique he made with an european artist of his whole career. eternia the 2-time juno (canadian grammy award) nominated is the new groundbreaking sensation of indie hip hop! they both gave sincere energy and spiritually inspired performances to make this disc a classy & classic joint. comes with code for free digital download of this release.

180g vinyl, heavy duty plastic wallet. original sleeve design and inner bag. real collectors item, limited pressing.

you like oldskool? we surely do. anil aras, stooge wilson, samuel deep and firdjel medar are four dj/producers from the netherlands with a strong passion for oldskool - garage - influenced house music. they present three toolish cuts guaranteed to make you dance and describe their style as slapfunk wich also is the name of their soon-to-be-launched own label. for now they present us three great tracks for off: >street movement< and >original slapfunk< are intense bassheavy groovetools, while >set the record straight< adds some true new york vibe on top of a straight up 909-groove. olene kadar, one of the rising stars on the dutch scene thanks to his recent bombs like >baby keep it up< delivers a great remix for samuels >street movement<, all focused on that massive garage-sub.

tsi returns with more dark, deep hypnotic hard techno goodness this latest installment of tsi. the >grinding machine< does just what the title intends. the same can be said for the adjective use in titling >dark, dirty & broken<. the people are asking who and where the secret initiative are from. tsi answers why does it matter? will knowing make the music sound better? the clues of whom it is be heard through the secret codeslocked in the grooves of the vinyl. listen closely and maybe you can piece it all together. if not listen closely and enjoy the music!

when we heard pompeya for the first time and were told they were from moscow, we were like: - what!? are you kidding? this is probably the first russian band singing in english with such a classy brit touch and male vocal being very strong and sophisticated at the same time. they jestingly describe their style as >melodramatic popular song< and >cheenese< is indeed a very dramatic piece with simple yet powerful composition and lyrics that really make big sense. the original is very well supported by a bunch of remixes each of which is unique on its own. an-2 & samos come with a warm, relaxed and funky instrumental version which is followed by a blockbuster mix from moscow disquo maestro leonid lipelis (an entirely perfect dance version of the original that could ever exist) and finally, for those few sirs and mesdames who are not yet aesthetically satisfied and who still find themselves seated while others jump and shout, here come d-pulse with their paranoid mix that gathers the thunderclouds to the full darkness and - at the end - lets the revival sunbeams break through.

this label has been flying out the warehouse and this is because wicky lindows have been putting out quality dubstep. on this one yohanne simons teams up with nyree to make this stomper. buy this release now as it will sell out quick, get me!

sender goes zen. after running the legendary label with the television tower logo for more than 11 years now, benno blome decided to make a fresh start with this new shining star in berlins ever-expanding universe of electronic music labels. senzen provides a breeding ground for the like-minded, talented and creative artists. the label is driven by passion for deep and trippy maneuvers through time & space of electronic dancefloor madness. the first release comes with two tracks by autotunes new project entitled ecoute plus a remix by blome & tigerskin.

underground welcomes drehwerk! remixes by dorian paic and julien bracht & martyne.

the ever on point citrus recordings is stepping up for its 5th artist lp already.. after having released the debut albums of mindscape & jade wich all went on for critically acclaim its time for citrus to get ready its 3rd artist album. this time its up to fourward to show what their made off. the second sampler is unleashed now so make sure youre ready! on the first sampler fourward was introduced by the incredible mindscape remix, this time we have a solo 12inch by the guys. the a-side starts with a masterpiece of epic proportions. a beautiful intro the way it should be. this track is a perfectly balanced track in between the uncompromising noisia-like bass terror and easy listening vibes. the downbeat breakdown in the centre of the tune and the drop after that fit extremely well. well produced music for the critical listeners and party people! and thats just the beginning. flip it over for another wicked track! the bassfueled intro hits hard, feel the vocals from far away. close your eyes and move your feet on this brilliant piece of adventure for your ears. just listen and let the music speak for itself.

big with: koze, adam port, alejandro mosso, mandy, anthony collins, sebo k, troy pierce, arnaud le texier, rozzo, axel bartsch, benno blohme, cesare vs disorder, dubfire, gel abril, james teej, jimpster, julietta, kabale & liebe, mark henning, meat, .. for this 3rd release, raoul records brings us some very personal stuff from no other than the label s founder himself: gregorythme. two long tunes in which he shows us that there are no limits as to how far he can go with hypnotic synthesizers and reduced rhythms. the a-side brainstorming features very rich house tunes with a mental twist. it s a track with a big, edgy potential on the dance floor. one part old school, one part avant-garde - this recipe is sure to create confusion on the dance floor and make a little storm in house music lovers brains. the b-side is almost a love song! a hypnotic and melodic tune. gregorythmes juno does its best to give you the shivers. the track is called some more and that is precisely what you will be asking for after you have heard the song... who said 10 minutes were long enough?

remixes / edits delivered by iron curtis and edit piafra. limited edition with hand-stamped label and cover.

the 12-inch sampler for >panorama bar 03< could have hardly been better. hitherto unreleased, the tree tracks on ostgut ton 47 tick all the boxes that make prosumer such a unique dj: house in its various identities. soundstore starts the triptych with >take u<. greatness and frantic fever visions go hand in hand while hitting the core of chicagos second wave: dance mania, cajual, and relief with siren-like hooks in a feverish delirium. irresistible. prosumers panorama bar fellow steffi slows down the pace. >sadness< that surprisingly did not make it on her album debut is not only the opener of the actual panorama bar mix, but also a tribute to that kind of deep house that doesnt take its prefix lightly. in the end, berlins hunee teaches you a freestyle lesson. in a similar way to the young pal joey, he feeds his sampler a well-known dish, but throws in peculiarity, rascality and deviation to get new results. after all the time, this music is still not getting a bit long in the tooth. lets take a love break.

label bosses are back in tandem for the sixth release on micropunto: wine ep, which also marks the beginning of micropunto schallplattens vinyl era. wine ep started as a back to back game after a spillage incident. ikkaku and d-gelo started producing two separate tracks in their respective stations and every half hour they swapped seats, building the tracks as they went along. the result is this musical experiment that sets the trend for all things to come from the micropunto clan. they spilled wine on me kicks in with a deep lead stab from the catacombs. the elements appear on the scene in a stride to resurface. it goes up then down, left, rigth, it gets dubby, then back in your face. in i spilled wine the beat unfolds steadily like a bulldozer coming up to the surface in search of the true sound. next we meet the preacher. with a subtle housy piano lead he puts us in the right track, reminding us that the dance floor is made of sand and we are on the rivers bank. listen to the flow. lord techno, you are my music. originally inspired from a dub tune featuring ras ajay from the spaceship sound crew in london,dubwine closes the triangle with a huge dub flare. fat subsonic bass and broad stabs make this track a serious contender on the dub techno charts. its the producers blink of respect to the reggae culture that has inspired them all through the years, hence the vinyl release.

we introduce 3 talented international newcomers as the start of a new series on wolfskuil ltd. the amount of fantastic demos we get in at the office is overwhelming sometimes. so it made sense to us to make a best of series out of all these wonderfull tracks. three can sometimes be to much for an intimate conversation, but definitely not in this case.

played & supported by luciano, sis, adam beyer, laurent garnier, pan-pot, agoria, timo maas, maceo plex / maetrik, luca bacchetti, kaiserdisco, gregor tresher, konrad black, kabale und liebe, chris carrier, oxia, joseph caprati, alexi delano, salvatore freda, fabrizio maurizi, martin eyerer, arnaud le texier, danilo vigorito, mihalis safras and more... as he is preparing for the release of his debut full-length album, >tripolarity< (due in june), amam founder and dj/producer alessio mereu offers three new original tracks as a preview. after setting up his own label just over one year ago, he felt the time was right to capture essence of the clubs he has played in, filter them through a spectrum of emotions, and make a personal statement that aims to resonate with both the body and mind. the title >tripolarity< refers to mereus three musical personalities, and with >on the way to tripolarity<, he focuses on his grooving house (and tech-house) tendencies.

r&bs most enduring duo nickolas ashford & valerie simpson sure know how to make it right when it comes to soulful r&b gems and lush dance grooves from golden era of 70s soul and disco. they recorded for warner bros. from 73 through to the early 80s, and rhinos ashford & simpson - the warner bros. years: the 12 inch collection both rediscovers and re-imagines the best of those years.

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

soweso 009 bring us one of rumanians upcoming house-masters negru. after his amazing contribution to the soweso various artists ep last year its time for him to do his own release. on the a-side >break into the record store< is a typical negru hip hop infused house track that will surely make things bump in the night. on remix duties is pacha resident tuccillo that has brought us some of the best house tracks of last year on the isgud label. on the b-side negru teams up with his buddy boola for a jazzy house groover that begs for spring to start. welcome to the family negru! enjoy it and play it loud.

two killer detroit-tracks by stephen brown on his first appearance on heliocentric music. releasing outstanding techno for the last 16 years and appearing on labels such as transmat, djax-up and music man, stephen rarely needs any introduction. the record starts with >hmi<, a very deep dancefloor-experience with lots of spheric sounds, which make the track perfect for the crowd as well as for home-listerners. >my harmony< is of such a beauty, that one simply has to listen. ambient-soundscapes and electro-drummings are the key here and take the listener on a truly fantastic journey!

6th borough project make a welcome return to delusions of grandeur to deliver their debut lp entitled one night in the borough. here we have the final single in the series of 3 including four brand new full-length cuts from the album.

for the inaugural release on the newly formed lo:rise imprint, jedi knight tom middleton brings us a tribal, percussive workout that centres around the infectiously groovy clicks and whistles of its onomatopoeic title. the original should be enough to make any djs mouth water, and with an eerily deep and stylishly bouncy remix coming in from girl of the moment maya jane coles, the package in its entirety is almost frighteningly good. frequent reports have been flying in of this destroying dancefloors from cable to fabric and beyond. both the original and maya mixes have been charted numerous times and full support has come from dyed soundorom, guti, d julz, tony humphries, nick holder, roska and alex cellar to name a small few!

such is the importance of russells contribution to the modern music scene that many consider his work to be untouchable but several modern day producers have carefully picked out key elements of his songs whilst recording entirely new and up to date soundtracks. yam who?, faze action, singer mary moore, nycs pocketknife have worked hard to create entirely new instruments and vocals with additional remix work coming from radio slave. in addition peter gordon who worked with arthur russell on many of the original releases has collaborated. adding his musicianship to the newly created cover of >go bang<. further collaborations from arthurs friends and musicians, steven hall & joyce kirby, also provide a new version of >lucky cloud< which is produced by nycs pocketknife.

after their huge success in 2009 and 2010 one can truly say kaiserdisco are now one of the contemporary stars in the techno universe. rather than trying to match expectations the duo from hamburg followed their instincts and have again chucked out music that will place them in top positions. they dedicated this record to the people in lima, peru. their new tune lurin is a bomb of a groove track with a stunning diversity of different samples and sounds including hip ethno samples and all it takes to make it a hi-tech kaiserdisco product come alive.